It was exciting to share my knowledge of their futures with Gregory and
Anthony (in 28 years they will be, respectively, the
dominant political theorist of the century and a presidential candidate) and
even more exciting to decide that we would band together to change history by influencing the war that is unfolding in Iraq and Syria, a war that we know is a precursor to World War III. As recounted in Chapter 4, after first doubting the wisdom of messing with the past to affect the
future, we agreed that I would not have been privy to my visions unless the mechanism that controls time "wanted" me to be, unless the universe wanted me (us) to act, meaning that the universe itself, or one faction of it, is not happy with the slavish, non-thinking direction of our species.
Late Thursday we sat at the kitchen table in Gregory's commune, going over the ways we might begin our project. Exhaustion set in and we agreed to meet again Saturday morning to form a plan of action.
Late Thursday we sat at the kitchen table in Gregory's commune, going over the ways we might begin our project. Exhaustion set in and we agreed to meet again Saturday morning to form a plan of action.
As you read this post on Saturday I will be in that meeting with Gregory and Anthony- you'll see our decisions in Chapter 6 on Tuesday. Today's chapter recounts my
use of time to prepare myself for today's meeting. This hasn't differed much from my "normal" life, but with partners
and a purpose there seems more point to it.
Friday morning I woke at Gregory's
commune, northwest of Lancaster, where I have permanent guest status.
I had breakfast with my co-conspirators and Gregory drove me back to my
place off Pearblossom in Littlerock. I took my morning nap, always key to
clear thinking, then walked into the kitchen, spread the L.A. Times on the
linoleum table, sipped my coffee, and stared. There was lots of news. Brexit passed. There was a gun control Congressional sit-in and Supreme Court rulings on immigration and
affirmative action. However, there were no stories on the Iraq/Syria war, in which the U.S. and its coalition are battling every day. This was one of those
news days when so many things were happening that the war went away- a
minor story compared to all the breaking news, but in an
honest media the lead headline throughout the world, every day, would
be, "Your Government is Leading You into World War III and there's nothing
you can do about it." (Aside: besides the arguable benefit to humankind such
honesty would bring, if traditional newspapers did this their readership would
soar and they would regain their previous influence).
Nothing jumped out at me from the news that suggested an obvious direction for a first step in changing history. I
spent the afternoon in growing frustration and increasing doubt as to the point
or sanity of our undertaking. I've found in the past that mental logjams like this can be loosened by dips into popular culture, so in the early
evening I rode my bike to the Cinemark at the Antelope Valley Mall and saw Independence Day: Resurgence.
I picked this movie because I recalled not being too annoyed by the original and because Wikipedia described the genre as "science fiction disaster," which, for obvious reasons, resonated.
It was Friday night at the theater, lots
of teenagers- mostly there to see Independence
Day: Resurgence- jostling and rowdy. I picked a seat in the back so I could watch both the film and audience reactions. The point of Independence Day: Resurgence is the destruction conveyed in a
series of CGI segments of vast alien spaceships wiping out familiar world
cities like London and L.A. I say those scenes are the point of the film
because there's no way the teenagers packed into that theater would have been
there for the formulaic love sub-plots or sci-fi concepts. I verified
this by dipping into the young minds in the theater. During the previews
and the movie's non-violent sections the kids were distracted, but during the
movie's CGI images of skyscrapers twisting and rush-hour traffic hurtling into the air the audience became silent, almost reverent, completely
focused on the screen. I inspected the teenage neurology during the
destructive scenes and found that a strong peace of mind prevailed. The
adults in the room showed the same. I checked myself and, yes, the laying
waste of gigantic swaths of human civilization was utterly soothing. No
wonder the industry spends so much money churning out end-of-the-world movies, and no wonder governments have so little difficulty maneuvering
their populations into war: everyone is itching for disaster. You will
not find this aspect of war in a typical history book. Only fiction, like what you're
reading now, tells the truth. Thus, while Aldous Huxley's novel Point Counterpoint describes how the years
leading up to World War I featured emotional turmoil and craving for havoc
in the English middle-class, high school history books only tell you about an ageing empire and an assassinated archduke. Someday
textbooks will say that World War III, the one we're itching for now, started over
oil, water, religion, food- but if we somehow become wise we'll write
that World War III started because people everywhere were unhinged by
peace itself. Humankind's most pressing challenge is to make peacetime more
enjoyable.
How can Gregory, Anthony and I interest
anyone in avoiding war, given our species' taste for periodic destruction?
If we pontificate we'll sound like bleeding hearts or impractical losers.
I think our only hope is to find some piece of evidence proving that we
are being manipulated into the war. People want their mayhem, but they
don't like feeling tricked. My friend Doug has found significant circumstantial
evidence that we are indeed being tricked (http://laskenlog.blogspot.com/), but circumstantial evidence is not enough to
change history. We need a "smoking gun." Read Chapter 6 on Tuesday,
June 28 to see what we come up with.
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